Jeff Roorda physically assaults a black woman in public meeting

What country is this where a man can BRAZENLY assault a woman in room filled with witnesses & NOT be arrested?

Posted in Current Events, Human Rights, Institutional Racism, News, Open Thread, Police bruality, Racial Bias, Racism, Uncategorized | Tagged , , , , , , , , | 12 Comments

Video | Senate Hearings for the Nomination of Loretta Lynch for Attorney General of the United States

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Loretta Lynch to pledge fresh start with Congress
By Seung Min Kim
1/28/15 8:02 AM EST

Much of her opening remarks, which are Lynch’s first chance to publicly introduce herself to Congress, will take a personal tone. Lynch, the daughter of a Baptist minister and a retired English teacher, will talk about how her parents fought against
segregation and instilled in her the values of education, hard work and sacrifice.

Lynch will be accompanied by her husband, Stephen Hargrove, her father, Lorenzo, and her brother Leonzo. Her other brother, former Navy SEAL Lorenzo Lynch Jr., died in 2009, and the attorney general nominee will have his Navy SEAL trident with her on the witness table as she testifies before senators.

She will recall how in the early 1960s, her father would open up his Greensboro, North Carolina, church to civil rights activists and stand alongside them as he carried Lynch, as a little girl, on his shoulders.

“As I come before you today in this historic chamber, I still stand on my father’s shoulders, as well as on the shoulders of all those who have gone before me and who dreamed of making the promise of America a reality for all and worked to achieve that goal,” Lynch will tell senators. “I believe in the promise of America because I
have lived the promise of America.”

Loretta-C_-Lynch

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Wednesday Open Thread | 80’s Freestyle & Pop Music Week

Happy Hump day, folks. Today’s featured artists are:Nu Shooz, Human League, and Rick Astley.

Nu+Shooz+Poolside

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Nu Shooz is an American Freestyle-R&B-Dance group fronted by husband-and-wife team of John Smith and Valerie Day, based in Portland, Oregon. The Shooz released four albums in the U.S. during the 1980s, and it was its third album, Poolside, that brought the group’s sound to a wider audience.

Nu Shooz formed in 1979 in a lineup that originally featured 12 members. This incarnation of the group released its debut album, Can’t Turn It Off, in 1982. Although the album saw limited success, the band continued on, paring its lineup down to seven members over the next several years.

Nu Shooz originally released the single “I Can’t Wait” in Portland in April 1985 on Poolside Records. The original recording was done at Cascade Recording in Portland in the fall of 1984 and was also featured on the band’s sparsely distributed second album, Tha’s Right, in 1985.[1] “I Can’t Wait” was a big hit on Portland radio stations at the time, but they were turned down by every major label. A copy of the song made it to the Netherlands, where it was remixed by Peter Slaghuis. This version is known as the ‘Dutch Mix.’ The remix came back into the United States as an import on Dutch label Injection Records. It was this version that got the attention of Atlantic Records, which signed the band to a contract in January 1986.

Nu Shooz scored two major pop/R&B/dance hits. “I Can’t Wait” climbed to #2 on the R&B charts and #3 on the Billboard Hot 100 chart in June 1986 and spent 15 weeks in the Top 40, and it also hit #1 on the Hot Dance Club Play chart earlier that year. Its follow-up, “Point of No Return,” was remixed by Shep Pettibone and also topped the dance chart in September 1986; the song peaked at #28 on the Hot 100 and #35 on the R&B charts. Both singles were on the album Poolside, which charted on Billboard’s 200 chart at #27, and sold a half million copies in the U.S., garnering gold record RIAA certification on October 2, 1986.

Nu-Shooz-I Can’t Wait

The Human League

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The Human League, formed over 33 years ago in Sheffield, have made a new album, their 10th, and their first since 2001’s Secrets. It’s called Credo, and it’s produced by younger, fresher Sheffield technicians I Monster, and released on the erratically adventurous Wall of Sound label. What you think about this will depend on whether you think of the Human League like Wall of Sound do, as one of the great pioneering electronic acts whose sound and aesthetic has had a positive impact on successive generations of liquid modern dance pop, or like I do, as one of the most brilliant and strangest acts of all time, or as a tired, faded and mostly irrelevant group who never made it beyond a gaudy, defective 1980s.

If you think of the Human League as stuck in the 80s, occasionally enacting some kind of futile comeback, a new album will not be much of an event. If it knowingly updates their sound so that it fits in with the stylised electronic pop soundscape they helped influence, one that stretches from Madonna to Black Eyed Peas, from Pet Shop Boys to La Roux, from Trevor Horn to Xenomania, then that will merely seem desperate. If it faithfully reflects their original sound, an experimental English form of fantasist sonic engineering, which at the time, immediately post-Kraftwerk/Roxy/Bowie/glam/punk/disco, was irresistibly new and inventive, then it will seem at best quaint. It will, perhaps, sound like an affectionate, technically deft I Monster interpretation of an ideal Human League sound: for electropop specialists, fastidious geeks and ageing experts only.

The Human League – Don’t You Want Me

I’m Only Human

C’mon now, ya’ll know ya’ll got down with Rick Astley!

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Richard Paul “Rick” Astley (/ˈrɪk ˈæstli/; born 6 February 1966) is an English singer-songwriter, musician, and radio personality. He is known for his 1987 song, “Never Gonna Give You Up”, which was a No. 1 hit single in 25 countries. Astley holds the record for being the only male solo artist to have his first 8 singles reach the Top 10 in the UK and by retirement in 1993 had sold approximately 40 million records worldwide.

After retiring from the music industry in 1993, Astley made a comeback in 2007 when he became an Internet phenomenon, as his video for “Never Gonna Give You Up” became part of a popular Internet meme known as “rickrolling”. Astley was voted “Best Act Ever” by Internet users at the MTV Europe Music Awards 2008.

“Never gonna give you up, never gonna let down, never gonna run around and desert you. Never gonna make you cry, never gonna say goodbye, never gonna tell a lie and hurt you.” Gone Rick!

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Cry for Help” is the title of the first single taken from British dance-pop singer Rick Astley’s third studio album, Free. It was written by Rick Astley and Rob Fisher.

Released as a single in January 1991, “Cry for Help” reached the Top 10 on both the UK Singles Chart in the United Kingdom as well as the U.S. Billboard Hot 100 chart, where the song peaked at No. 7 on both sides of the Atlantic.[1][2] It reached No. 3 in Canada, and it was a No. 1 hit on the U.S. adult contemporary chart.[3] The song’s No. 7 UK chart placing meant that Astley became the first male solo artist to have his first eight singles reach the British Top 10.

The song is a moving soul ballad, unlike many of Astley’s other more famous dance-oriented hit singles (“Never Gonna Give You Up”). It was co-written by British singer-songwriter Rob Fisher, formerly one half of the 1980s pop group Naked Eyes and Climie Fisher. To date, the song was Astley’s last appearance in the Top 10 in either the U.S. or U.K.

The song has been sung by Rick Astley in duet with Soren Sko and covered by Thomas Anders (ex-Modern Talking).

Cry For Help

“Why must we hide emotion? Why must we never breakdown and cry for help? All that I need is to cry for help. Somebody please hear me cry for help. all I can do is cry for help.”

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President Obama arrives in Saudi Arabia

Posted in Barack Obama, Current Events, First Lady Michelle Obama, Memorial, News, Open Thread, Relationships | Tagged , , , , , | 21 Comments

Vermont High Schoolers Just Destroy Fox News About The Ethics Of Journalism


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Vermont High school journalism students DEBUNK THE FOX FUNK!

One can only imagine what kids are being taught in the private conservative schools.

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Tuesday Open Thread |80’s Freestyle & Pop Music Week

A lot of the 80’s freestyle & pop musicians delivered “one hit” wonders. LOL Don’t judge me. I got a real good kick out of the music from the 80’s. Artist cultivated their own styles, and they weren’t afraid of their creativity.

I’oin’t know, for me, today’s music has lost it’s spirit, it’s fun, it’s energy–IT’S ORIGINALITY!

And there was far more diversity, and far less CO-OPTING in the 80’s So much music tastes and blends to choose from, and I had a taste, sometimes a meal from them all.

It’s far easier to sample music and utilize electronic voice-enhancement. SMH

Could it be because folks just aren’t willing to put in the hard work of sitting with their creations, and listening to what intuitively comes in?

Daniel Earl “Dan” Hartman (December 8, 1950—March 22, 1994) was an American musician, singer, songwriter and record producer, best known for such songs as: “Free Ride”, “I Can Dream About You”, “Instant Replay”, “Love Sensation”, and “Relight My Fire”, all of which had world-wide success.

Ok, now on with today’s featured artist, Mr. Dan Hartman

Born in Pennsylvania’s capital, Harrisburg, Hartman joined his first band The Legends at the age of 13. His brother Dave was also a member of the band. He played keyboards and wrote much of the band’s music, but despite the release of a number of recordings, none turned out to be hits. He subsequently spent a period of time backing the Johnny Winter Band and then joined the Edgar Winter Group where he played bass, wrote or co-wrote many of their songs and sang on three of their albums. He wrote and sang the band’s second biggest pop hit “Free Ride” in 1972. Upon launching a solo career in 1976, he released a promotional album which had, as its full title, Who Is Dan Hartman and Why Is Everyone Saying Wonderful Things About Him?. It was a compilation disc including songs from Johnny Winter and the Edgar Winter Group. His second release, Images, was his first true album and featured ex-Edgar Winter Group members Edgar Winter, Ronnie Montrose and Rick Derringer and guests Clarence Clemons and Randy Brecker.

From October 21 until November 5, 1977 blues legend Muddy Waters used Hartman’s Studio in Westport, Connecticut. Hartman ran the recording board for the sessions, produced by Johnny Winter, which created the album I’m Ready.

In late 1978, Hartman reached No. 1 on the Dance Charts with the disco single, “Instant Replay,” which crossed over to No. 29 on the Billboard Hot 100 in 1979 and also reached the Top 10 on the UK charts. Musicians Hartman worked with on the associated album included Vinnie Vincent and G. E. Smith. This was followed by his second chart topper, 1979’s “Relight My Fire,” which featured friend Loleatta Holloway on vocals. This song later became the theme for the NBC talk show Tomorrow and in 1993 became a hit single for British boy band Take That featuring Lulu. There was also a cover version of “Instant Replay” recorded by the duo Yell! (Paul Varney and Daniel James) in January 1990.

During the next decade he worked as a songwriter and producer, and collaborated with such artists as Tina Turner, Dusty Springfield, Joe Cocker, Bonnie Tyler, Paul Young, James Brown, Nona Hendryx, Holly Johnson, Living in a Box, the Plasmatics and Steve Winwood. Hartman produced and co-wrote “Living in America”, a No. 4 hit for James Brown which appeared on the soundtrack of 1985’s Rocky IV. The song was the last of Brown’s 44 hit recordings to appear on the Billboard Top 40 charts. The track also appeared on the Hartman produced album Gravity.

Dan Hartman- I Can Dream About You

Instant Replay

…and Spandau Ballet

Spandau Ballet /ˈspændaʊ ˈbæl.eɪ/ are a British new wave band formed in London in the late 1970s. The band initially was inspired by, and an integral part of, the New Romantic movement, becoming one of the most successful groups to emerge during the New Romantic era.

The group’s debut single “To Cut a Long Story Short”, which reached No. 5 in the UK in 1980, was the first of ten UK Top 10 hits, including a No. 1 single in 1983 with the song “True”. The band also has had eight UK Top 10 albums, including three “greatest hits” compilations and an album of re-recorded material.

Spandau-Ballet-in-1983

Spandau Ballet-True

And Paul Young

Paul Young

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Wiki:  Paul Anthony Young (born 17 January 1956) is an English singer and musician. Formerly the frontman of the short-lived bands ‘Kat Kool & The Kool Cats’, Streetband and Q-Tips, his following solo success turned him into a 1980s teen idol. He is famous for such hit singles as “Love of the Common People”, “Wherever I Lay My Hat”, “Come Back and Stay”, “Everytime You Go Away” and “Oh Girl”. His debut album No Parlez turned him into a household name.His smooth yet soulful voice belonged to a genre known as “blue-eyed soul”. Since the mid-1980s, he has had international success, along with his backing band Los Pacaminos.

In 1985, he appeared at Geldof and Ure’s charity convention Live Aid, where he appeared at the London Wembley Stadium performing the Band Aid hit “Do They Know It’s Christmas” (having sung the opening lines on the original single release), and his own hits “Come Back and Stay” and “Everytime You Go Away”, with Alison Moyet joining him on-stage to perform “That’s The Way Love Is”.At the 1985 Brit Awards, Young received the award for Best British Male.

Since the late 1990s, Young has released very little new material, but has continued to tour in different parts of the world.

Paul Young-Everytime You Go Away

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Serendipity SOUL | Monday Open Thread |80’s Freestyle & Pop Music Week

Happy Monday, Everyone! Today’s featured artist is SHANNON & Lis Lisa & Cult Jam.

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Shannon Brenda Greene (born May 2, 1958), better known by the mononym Shannon, is an American recording artist and singer of Freestyle music and dance-pop music and songwriter. She is best known for her million-selling record single “Let the Music Play”. Often she is considered the “International Queen of Freestyle.”

Her albums include Let the Music Play, released in 1984, followed by Do You Wanna Get Away in 1985 and Love Goes All the Way in 1986. In 1999, Shannon appeared in a segment of VH1’s One-Hit Wonders, and returned to music with her fourth album, The Best is Yet to Come, which was released in 2000. The album was followed by a compilation album released in 2004, Let The Music Play: The Best of Shannon. Shannon’s most recent album is A Beauty Returns, released in 2007.

In 1983, Shannon was enrolled at York College and toured with the New York Jazz Ensemble. Quintin Hicks, an associate of the production team of Mark Liggett and Chris Barbosa, later saw Shannon singing with a live band in her cousin’s recording studio. Shannon auditioned for Liggett and Barbosa with the song “She Can’t Love You Like I Do”. They introduced her to the selection “Fire and Ice,” which would later evolve into Shannon’s signature song, “Let The Music Play;” its unique sound, called “The Shannon Sound,” would later come to be known as “freestyle.” Let The Music Play would also be the title of Shannon’s debut album, which she released in 1984.

LLCJ

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Lisa Lisa (born Lisa Velez, January 15, 1966 and her band Cult Jam are an urban contemporary band and one of first freestyle music groups to emerge from New York City in the 1980s. Cult Jam consisted of guitarist/bassist Alex “Spanador” Moseley, and drummer and keyboardist Mike Hughes. They were assembled and produced by Full Force.

Velez is of Puerto Rican descent and grew up in New York City and attended Julia Richman High School in Manhattan, NY. The group released their debut album Lisa Lisa & Cult Jam with Full Force in 1985. She was signed by Columbia Records and the label released their single “I Wonder If I Take You Home” to the European division of CBS Records for the compilation album Breakdancing. Stateside club DJs began playing the single from the import LP, and thus the U.S. division of CBS, Columbia Records, released the record. It quickly became a chart-topper on Billboard’s Hot Dance/Disco chart. It then crossed over to the R&B chart where it peaked at #6, and then to the pop chart, peaking at #34 in summer 1985. The single eventually went gold.

“I Wonder If I Take You Home” was followed by another club hit, “Can You Feel the Beat”, which also went to #40 on the R&B chart in late 1985. A sampling of the lyrics of this song would later be used by Nina Sky for their hit single “Move Ya Body” in 2004. Their third single, the ballad “All Cried Out”, also went gold, going to number #3 R&B and #8 pop in summer 1986. “All Cried Out” was later covered by Allure in 1997 and was a hit in 1998. Lisa Lisa & Cult Jam with Full Force went platinum.

Lisa Lisa & Cult Jam – Head To Toe

Lost in Emotion

I Wonder If I Take You Home

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