Happy Monday, Everyone! This week we’ll showcase orignal musical groups/artists and covers. If you know of others, please feel free to post them. Thanks!
Song: WHITER SHADE OF PALE
“A Whiter Shade of Pale” is the debut single by the English rock band Procol Harum, released 12 May 1967. The record reached number one in the UK Singles Chart on 8 June 1967, and stayed there for six weeks. Without much promotion, it reached No. 5 on the US charts. One of the counterculture anthems of the 1967 Summer of Love, it is one of fewer than 30 singles to have sold over 10 million copies worldwide.
With its Bach-derived instrumental melody, soulful vocals, and unusual lyrics, written by the song’s co-authors Gary Brooker, Keith Reid, and organist Matthew Fisher, “A Whiter Shade of Pale” reached No. 1 in several countries when released in 1967. In the years since, it has become an enduring classic. As of 2009, it was the most played song in the last 75 years in public places in the United Kingdom, and the UK performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years. Also in 2004, Rolling Stone placed “A Whiter Shade of Pale” No. 57 on its list of the 500 Greatest Songs of All Time.
In 1977, the song was named joint winner (along with Queen’s “Bohemian Rhapsody”) of the Best British Pop Single 1952–1977 at the Brit Awards. In 1998 the song was inducted into the Grammy Hall of Fame. More than 1000 recorded cover versions by other artists are known. The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including The Big Chill, Purple Haze, Breaking the Waves, The Boat That Rocked, Oblivion, and in Martin Scorsese’s segment of New York Stories. Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.
The original writing credits were for Brooker and Reid only. On 30 July 2009, Matthew Fisher won co-writing credit for adding the organ parts to the original music in a unanimous ruling from the Law Lords.
Reid got the title and starting point for the song at a party. He overheard someone at the party saying to a woman, “You’ve turned a whiter shade of pale,” and the phrase stuck in his mind. The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth. The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song “deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act.” This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys. Other observers have also commented that the lyrics concern a sexual relationship.
Structurally and thematically, the song is unusual in many respects. While the recorded version is 4:03 long, it is composed of only two verses, each with chorus. The piece is also more instrument-driven than most songs of the period, and with a much looser rhyme scheme. Its unusually allusive and referential lyrics are much more complex than most lyrics of the time. Thus, this piece can be considered an early example of progressive rock.
The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries. As such, the phrase is today often used in contexts independent of any consideration of the song. It has also been heavily paraphrased, in forms like an Xer shade of Y, to the extent that it has been recognised as a snowclone – a type of cliché and phrasal template.
Song: NIGHTS IN WHITE SATIN
“Nights in White Satin” is a 1967 single by The Moody Blues, written and composed by Justin Hayward and first featured on the album Days of Future Passed. When first released in 1967, the song reached #19 on the UK Singles Chart. It was the first significant chart entry by the band since “Go Now” and the recent lineup change.
It charted at #2 in November on the Billboard Hot 100 and #1 on Cash Box in the United States, earning a Gold certification for sales of a million copies. It also reached #1 in Canada. In the wake of its US success, the song re-charted in the UK in late 1972 and climbed to #9. The song was re-released yet again in 1979, and charted for a third time in the UK at #14.