Why America needs a slavery museum: “The history of this country is rooted in slavery”

Hat tip: The Atlantic

The Whitney Plantation near Wallace, Louisiana, is the first and only U.S. museum and memorial to slavery. While other museums may include slavery in their exhibits, the Whitney Plantation is the first of its kind to focus primarily on the institution. John Cummings, a 78-year-old white southerner, has spent 16 years and more than $8 million of his own fortune to build the project, which opened in December of last year.

Cummings, a successful trial attorney, developed the museum with the help of his full-time director of research, Ibrahima Seck. The duo hope to educate people on the realities of slavery in its time and its impact in the United States today. “The history of this country is rooted in slavery,” says Seck. “If you don’t understand the source of the problem, how can you solve it?”

About SouthernGirl2

A Native Texan who adores baby kittens, loves horses, rodeos, pomegranates, & collect Eagles. Enjoys politics, games shows, & dancing to all types of music. Loves discussing and learning about different cultures. A Phi Theta Kappa lifetime member with a passion for Social & Civil Justice.
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6 Responses to Why America needs a slavery museum: “The history of this country is rooted in slavery”

  1. eliihass says:

    If for nothing…at the very minimum, it will help thwart some of the attempts at revising history – and minimizing and in some instances, attempts at outrightly denying slavery – and the horror of slavery…

    There are many lessons that we and future generations must and can only learn by confronting the many horrors and truths of slavery in our history..

  2. rikyrah says:

    No less than Dr. Condi Rice said that slavery was the birth defect in America’s DNA

  3. Ametia says:

    Thanks for this post from “The Atlantic,” SG2.

    “If you don’t understand the source of the problem, how can you solve it?”

  4. Building the First Slavery Museum in America

    Building the First Slavery Museum in America


    Louisiana’s River Road runs northwest from New Orleans to Baton Rouge, its two lanes snaking some 100 miles along the Mississippi and through a contradictory stretch of America. Flat and fertile, with oaks webbed in Spanish moss, the landscape stands in defiance of the numerous oil refineries and petrochemical plants that threaten its natural splendor. In the rust-scabbed towns of clapboard homes, you are reminded that Louisiana is the eighth-poorest state in the nation. Yet in the lush sugar plantations that crop up every couple of miles, you can glimpse the excess that defined the region before the Civil War. Some are still active, with expansive fields yielding 13 million tons of sugar cane a year. Others stand in states of elegant rot. But most conspicuous are those that have been restored for tourists, transporting them into a world of bygone Southern grandeur — one in which mint juleps, manicured gardens and hoop skirts are emphasized over the fact that such grandeur was made possible by the enslavement of black human beings.

    On Dec. 7, the Whitney Plantation, in the town of Wallace, 35 miles west of New Orleans, celebrated its opening, and it was clear, based on the crowd entering the freshly painted gates, that the plantation intended to provide a different experience from those of its neighbors. Roughly half of the visitors were black, for starters, an anomaly on plantation tours in the Deep South. And while there were plenty of genteel New Orleanians eager for a peek at the antiques inside the property’s Creole mansion, they were outnumbered by professors, historians, preservationists, artists, graduate students, gospel singers and men and women from Senegal dressed in traditional West African garb: flowing boubous of intricate embroidery and bright, saturated colors. If opinions on the restoration varied, visitors were in agreement that they had never seen anything quite like it. Built largely in secret and under decidedly unorthodox circumstances, the Whitney had been turned into a museum dedicated to telling the story of slavery — the first of its kind in the United States.

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